Animations

A concave coverflow of squircle portraits that overshoots and rocks back into place on every step.

A pill that morphs into a close button while the signup card inflates from it like a balloon — overshooting before it settles.

On one swipe the full-bleed hero collapses into a tiny squircle that lands inline in the copy, as the paragraph bounces in around it.

A row of avatars where the active one expands to reveal its name and title, while the quote slides out one side and cascades back in line by line.

Hide your balance and a shimmer sweeps across, shattering the number into shards that scatter — then reassembles them when you reveal it again.

Three tilted cyanotype cards drop in from above and grow as you scroll — sinking, rising to centre, then un-stacking and flipping to their backs.

Photos ride a diagonal from top-right to bottom-left on momentum scroll, a sliding window opening and closing over each as it passes the focal point.

An arrow-key timeline where the active year expands into a big frame, pushing the years below down, while the title and sentence-staggered copy track its position.

Big tilted rectangles ride up from the corner and grow to full size at centre on momentum scroll, fluttering like waved paper that wobbles to a soft settle when it stops.

One container that springs between a collapsed pill, a menu, a tall inquiry form, a newsletter, and an about panel — the box overshooting as the content crossfades.

A folder whose front sheet tips open while the files inside fan out and name themselves, staggered — with a springy back-out pop.

An infinite scroll-driven portfolio row rendered in WebGL through a liquid-glass lens shader — chromatic dispersion, a shimmer ring, and a click-to-focus mode. Adapted from Yousuf Soomro's MIT project.

A floating glass dock pinned to the bottom of a scrolling page, refracting whatever passes behind it through the same WebGL lens — the nav's active pill springing between items with a liquid stretch.

A warm editorial 3D library of nineteen procedural clothbound hardcovers on a continuous walnut shelf — browse by drag, wheel, arrows or markers, then pull any volume forward to orbit, pan, and zoom.

A row of studio plates that marches left and shrinks toward a point off the bottom-left as you scroll — one continuous perspective, the near plate cropped by the edge, the far ones dissolving into haze.

Three hardcovers held in a fan — hover and the board slips open by however far along it you point, drag to peel it, click and the book leaves for a detail slot while the other two are sent out of frame on an authored curve.

A tool rail and its panel traced as one signed-distance field, so the joint between them curves inward — pull the panel off and the neck stretches, thins and snaps, leaving droplets the rail swallows back.

A linktree for a record collection — every song is a disc, magnetised into a slowly turning bunch. Drag one and the whole cluster trails after it; cut the field and they drop where they stand.

Eight plates spring out of one point, curving and growing as they fly, and land in a ring with their bottom edges facing outward. Click one and it flips sideways into the middle; the arrows hand focus to the next, which flies out of its own slot.